Posts tagged Literacy

An Interview with Luiz Stockler – filmmaker, storyteller, people-watcher

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Luiz Lafayette Stockler is a 25 year old award winning director and animator. I recently discovered his film Vovô on Vimeo and was immediately struck by the powerful simplicity and the beautiful way the story is told. I have been lucky enough to find some incredible work on Vimeo just recently and Luiz’s film is most certainly in that category.

 

Vovô from Luiz Lafayette Stockler on Vimeo.

 

I managed to track Luiz down and he was kind enough to answer some questions about his film and his own process of storytelling.

You say in your Twitter profile “North Wales via Brazil” – what’s the story there?

I was born in Rio de Janeiro, Brazil to a Brazilian father and a Welsh mother. My parents worked with horses and were professional showjumpers who competed at the highest level in south america. when I was 8 years old, my dad was offered a job in Scotland riding horses for a breeder, so we moved to the UK. my dad has since moved back to Brazil.

You are soon to start at the London Royal College of Art – what are you studying?

I am starting an MA in Animation at the Royal college of Art, it’s quite a prestigious school in the animation world so I was ecstatic when I was offered a place!

Your short animated film Vovô has caused quite a stir online, what do you enjoy most about your film?

I think the one thing I enjoy the most out of my film is that its such a personal story to me, but also something that I think anyone can relate to in some way or another. It has a universal theme that makes it accessible to people.

Vovô has quite a sad story to it, is the film something you have created out of personal experiences or is it purely fiction?

Vovô is the Portuguese word for grandfather. The film is about my childhood memories of my grandfather when I was growing up in Brazil, up until his untimely death during a summer holiday I spent back in Rio visiting my family when I was 19, I havent been back since.

What sort of time did you dedicate to the Vovô project? Does it take a long time to create something so polished?

It was made during my third year of my BA in Animation at the University of Wales, Newport. I had the whole year to work on it from development/pre-production/production/post production to finished piece….the script was the easiest part, I wrote that in a day and took about 5 drafts to get it right, I got a lot of help and feedback from my friends which helped a lot…the rest of the film went through so many changes and doubt/insecurities that I almost gave up and considered re-doing the year. Because of its personal element it became very easy to lose sight of what I was trying to make. I think as a filmmaker/artist/musician/writer etc… you can become quite precious of your idea and it can be quite hard to stand back and take a look at it with an open mind. I had all these storyboards and animatics that no longer made sense to me so in the end I had to become a bit ruthless with it all and I just let spontaneity take over and freestyled most of the film, animating it in six weeks. I wouldn’t recommend that to anyone though as I hardly slept, but I thrived on the pressure. luckily most of the scenes were fairly simple to animate, otherwise it would have taken a lot longer. the best thing I had throughout though was my friends/fellow classmates, without their help I dont think I would have made this film the way I did. I cant thank them enough.

 

Showreel 2010 from Luiz Lafayette Stockler on Vimeo.

 

How do you maintain a sense of self and originality when there is so much incredible work published these days? What advice would you give a young artist or illustrator about finding their own way of doing things?

I think I’ve always struggled with drawing things ‘well’, I’m terrible at proportion/perspective etc…so the only way I could put to paper what is in my mind is to simplify it by about a 100 times, I always say that my work is a bad version of what I saw in my head. I think the most important/useful advice I ever got given was to play to your strengths, I kept things simple because thats the way I’ve always worked in my sketchbooks. You can get excited by a new technique or visual style or even a software plug-in that you end up getting carried away with it and lose perspective on what you’re trying to do, you also lose that raw connection you had with your work in the first place. Keep it simple, play to your strengths and do what excites you.

Do you consciously strike a balance between the depth of the story and the way it is told?

When I was coming up with visuals, I was told by a friend that if something is being said then we dont need to see it everytime, it’s like we’re being told something twice. With this in mind, I tried to think less literal and more metaphorically and symbolically about what was on screen, I thought about how the viewer could learn so much more about the characters without being told, but rather shown. I also think it has something to do with songwriting, I’ve written songs since i was young so I’ve always been used to telling stories in a stripped down/brief way. The script of the film ended up being a progression of my songwriting.

Your film is centred around the relationships of two people and very focused on particular idiosyncrasies, what do you like about people-watching?

I’ve always been interested in people watching. I like how you can tell a lot about a person before you’ve even had a conversation with them. The way they walk, the way they dress, cross their legs, hold a cigarette etc… we show a lot of who we are using just body language and I think I have been good at mimicking that in people from a young age, I was always doing impressions of friends and family, copying their gestures and behavioural nuances – something which has definitely helped me when it comes to animating characters.

Do you have any projects you are currently working on that you can share?

I’m currently just saving money for my big move to London and the Royal College of Art. apart from that, I’m constantly doing illustrations and working on ideas for films, which you can see on my blog at http://luizstockler.wordpress.com

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Many thanks to Luiz for sharing his thoughts and taking the time to answer some questions. Working with children in school around the issues in Luiz’s film can be difficult and as teachers we are often a central part of the support that can be provided to children who are dealing with personal loss. Perhaps this film could be used to help an open discussion around these sensitive and difficult times.

Of course at the heart of the film is the story and such a narrative could be explored more widely in terms of the way it is told, un-picking the brevity of narration and how it is paired with visual metaphor and symbols as Luiz explained.

I hope you enjoyed the film and hearing from Luiz himself, perhaps you will see a place for it in your own curriculum or to support the work you are doing with children. I am sure you will join me in wishing Luiz every success when he joins the Royal College this September and in his future work.

Are Online Behaviours Affecting Reading Skills?

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In my final weeks of school our class had our usual Tuesday afternoon guided reading session, where we get the opportunity to work on some reading text with a small group of children. One particular comment from a pupil has stuck in my mind, so I thought I would share some of my reflections with you.

Whilst exploring a text we came across a particular word that became the focus of our attention. Although the group had no problem reading and pronouncing it they didn’t know what it meant. I aimed to set the children off exploring the definition from the information we could acquire from the sentence and the text overall, we may have even cracked open a dictionary or two…

“We could just Google it!”

As you can see the comment from one of the group stuck in my mind for a number of reasons. Firstly it indicated to me how much web searching had become part of how these 9 and 10 years olds process the information they see in the world. The concept of search applies to so much around them and the need for a better understanding of how we instruct and guide our classes to filter what they find, has never been so more acute.

Equally the appropriateness of using different tools is a key part of navigating the learning landscape, indeed one of the most difficult aspects is helping young learners make better decisions regarding the tools they use.

Of course I was not surprised by this comment after all many of the children have Kindles and the latest model has a full Oxford English Dictionary available on it. The children simply have to move a cursor and the definition will be displayed on the screen at the bottom. I remember writing lists of words I didn’t know from texts during my English degree and finding out later.

The immediacy of information and indeed the expectation for it is all to clear. We expect results, definitions and answers faster nowadays and so do the children in our classes. The question is what are we doing about it?



Within the browser too you have access to dictionary tools to help when you are reading online. I use Google Chrome’s extension which allows you to double-click a word and a little pop-up dictionary definition appears. I use this loads – no more written lists of vocabulary for me!

Another reason the comment struck a chord with me is how the decision to Google a word comes ahead of trying to establsish meaning from reading skills, such as reading into the context and exploring the sentence further. Of course, this one comment should not be over played. However in my opinion it does hint at the ways children are thinking about processing the information, from reading material or otherwise, we work with everyday.

I am of course an advocate for the appropriate use of technology, where it can transform learning and add value – and in this instance it is not a “this skill replaces that skill” scenario but an opportunity to reflect on the ways we can enhance what we do and take advantage of ideas children have.

To answer my own question in the title, yes they are in a broadly positive way, but especially children in primary school or elementary need support and guidance to help them filter the information they search. They need contextualised examples and ongoing references to the ways we search and use information tools – I think this is a pivotal aspect of teaching and can only become more acute in the coming years.

 

Paraphernalia – a short animation to use in Literacy

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The other night I had a little whirlwind session exploring content on Vimeo and discovered some fantastic pieces of work, including this lovely short animation called Paraphernalia. It is a 3rd year film made by Sabrina Cotungo who is studying at The California Institute of the Arts – however her film was made at Gobelins, l’école de l’image in Paris.

Sabrina Cotungo describes her film as

The story of an anemic little recluse of a girl who makes a friend at the expense of her ceiling.

 

Paraphernalia from Sabrina Cotugno on Vimeo.

What strikes me about the little story is the openings it presents for a class to explore in terms of their narrative literacy unit, the questions that could be asked about the plot and the characters.

  • Why is she all alone?
  • Where are her family?
  • Where was the gentleman heading?
  • Why did he crash?
  • Why had he invented such a wonderful flying machine?

Also a class could spend time working on the dialogue that takes place between our characters. It is conveniently silent and we might encourage our pupils to explain the emotions we see on their faces, to play these scenes out in some drama and then to perhaps develop the written dialogue.

What do you like about the film and how do you see it being used with your classes?

Oil’d – How Could Our Pupils Make an Animation Like This?

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I’m fascinated by the representation of data using infographics. I like their bold visual approach and how the style and composition signals the content it is communicating.

Chris Harmon a designer and animator from the Greater New York City area created this beautiful and thought provoking animation called Oil’d. It explores how dependent we are to oil and how much was lost into the ocean from the Deepwater Horizon oil disaster.

Oil’d from Chris Harmon on Vimeo.

Just from the presentation of information about the oil spill we could go in many different directions with our classes.

  • Exploring he sources of information used
  • Verifying the accuracy of the data included in the film

However if we unpick the animation layer by layer we get a much better idea of the great skill with which Chris used to complete it. Wouldn’t it be great to have Chris in front of a class of students explaining how he went about creating the animation, the stages of planning and execution.

For me there are many elements and skills that would on their own make excellent projects for children to explore and be engaged in:

Data
The maths involved in comparing and cross referencing the data, and what so many good infographic do the data-metaphor, juxtaposing information against something we find easy to refer to. For example the number of plastic bottles inside the Empire State Building, which we know is big!

Authentic information and research
Finding accurate information and data would be another important skill that would challenge a student to create something equally authentic and meaningful. We have the tools with which to find huge amounts of information and data but we need to know how to filter it. I don’t think teaching children how to search is enough, that is the first step, it is how we then process that information that needs time to be demonstrated and improved.

Persuasion
With my literacy hat on this animation pushes us to consider the impact of oil on our lives and has a strong persuasive message. The art of persuasive writing and in this case the careful scripting would be great to develop in this sort of medium, perhaps about a local issue.

Animation
The artwork and animation are obviously professional, but there is much to explore about the use of colour to convey meaning and an overall message. The colour schemes remind me of the Breathing Earth which also depicts an environmental message. It would be good for children to explore symbols and how we might convey a message in a visual way – a comparison type task would fit well here.

I think this animation is a great example of the sort of cross-curricular, multi-skill outcome that should be challenging our pupils in our schools. Making an animated infographic film about a local issue would cover so much. Furthermore if you had the opportunity to involve expertise, like Chris Harmon’s, it would provide that spark that would spur such a project onwards even further.

Don’t Just Tweet, Create Something!

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I have been fortunate enough to see many resources created by the thousands of willing educators using Twitter. However in my opinion there is a strong case for using hashtagging more systematically, so that we better organise and structure the resources, ideas and thoughts we all have.

A Twitter hashtag uses this symbol # folllowed by a unique word, abbreviation, acronym or phrase that defines the subject or theme of the tweet it is included in. It is a great way to filter and organise tweets so they are easily found by your network.

Simply put, the more we use tagging the easier it will be to find the most relevant tweets that share resources and advice etc.

One example of a resource created using hashtags is the sentence starter tweets I began under the tags #sentstartdecisions and #sentstarttree. I wanted to gather together ideas for sentence starters that can be used in the classroom. Each tag is specific to a topic or theme that gives other teachers a little bit of a focus for their contributions.

They have proven really successful, with nearly 100 contributions for just these two tags – a great resource for the classroom, to inspire planning and to engage young writers. However the tweets are not that useful as they are – indeed there is also the retweets that use the hashtag, so it is mildly littered with less than useful tweets. I have taken all of the sentence starters and created separate Google Docs presentations with them, a sentence starter per slide. I suspect that in this form it is more useful and accessible to teachers and students.

(Please feel free to edit the above presentations and add your ideas)

In fact by using the Twitter hashtag I have in effect added a step in the process. The Interesting Ways series is so successful because when users contribute they archive and extend a version of the presentation itself – there is no middle man, well there is me and I often add ideas on behalf of people, but there is no middle step, you add your idea and that’s it. Using a hashtag and then having to generate a presentation from that tag before it’s Twitter lifespan runs out is time consuming. (Tweets will eventually not appear in a hashtag search)

On the other hand, adding a sentence starter idea via Twitter is less clicks for a teacher using Twitter – they don’t have to go to Google Docs, add the slide etc. So it is easier to do it there and then and add the hashtag. In fact some school children were contributing with their teachers this week.

I believe it is important we encourage the alacritous members of our network in some form of creation. Whichever way you gather the ideas engage them in creation as much as conversation.

Superhero Ideas That Didn’t Make It Through the Revolving Doors

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Earlier this year we completed a very successful Superheroes topic in school. However many of the initial ideas I had never made it out of the revolving doors, so to speak.

One of the biggest influences for ideas and content was discovering the Brooklyn Superhero Supply Company and the spin off thoughts that occurred. The Superhero Supply store is a real shop in Brooklyn which sells all sorts of hero paraphernalia, from capes to muscles in a tin. Behind a swinging bookcase is of course a secret lair, a children’s writing and tutoring workshop.

The Superhero Supply Company is part of 826 National a non-profit organisation in the US to help support school children with homework and writing. Established by Dave Eggers it now has “stores” across the country with a simple aim:

Our goal is to assist students ages six to eighteen with their writing skills, and to help teachers get their classes excited about writing.

Of course what struck me about the concept and especially the Superhero online store, was the level of meta fiction that could be explored. This topic can easily focus on the comic book fiction but the mundaneness of shopping for a suitable replacement cape struck me as such a great idea to work with.

  • Turn your classroom into a store for Superheroes.
  • Try and find a mannequin that you could use to show a superhero outfit.
  • Use the Pixar film The Incredibles.
  • What happens in the everyday life of a Superhero?
  • In drama explore everyday routines with a superhero costume on – queuing for a bus, picking up some milk from the shop.

Brooklyn Superhero Supply Co The online store provided me with a rich vein of ideas for writing beyond children’s own fictional heroes.

The persuasive language used to sell the special products on offer would be a great text to unpick. For example on sale at the online store is Item No. 2503 - STANDARD 58″ SUPERHERO CAPE.

For over two centuries, the BSSCo. Standard 58″ Superhero Cape has been the industry standard in fly-wear for professional heroes. Every cape we ship meets all Superhero Alliance and FAA regulation requirements, and is specially designed for maximum flight control and resistance to air burn.

If you’re a working, flying superhero, the Standard 58″ Superhero Cape is a must-have. Because let’s face it. Without one, you’re just some guy who looks like he’s falling.

Available in a variety of colors.

The act of exploring the sophisticated persuasive devices used in the short product descriptions would be an excellent class activity.

  • Develop your own online Superhero Supply store.
  • Invite children to bring in toys and gadgets that could be rebranded as hero gear.
  • Model how to write a similarly persuasive piece for their own gadgets.
  • Children could role play the real life store or an order by telephone- Superhero and sales assistant, “I’m looking for something a little darker…”
  • Develop a customer newsletter from the store or a flyer.
  • What other things might we find in tins? Muscles, gravity – create your own Hero Basics range
  • Script a radio or TV commercial as a Superhero endorses the store.

Further to these ideas we looked at how the children could design and make their own superhero costumes. This could be done so that they could wear them and then use them in subsequent drama and fictional work.

On reflection we did think that full size costumes for each child might end up quite a complex operation, so considered three alternatives. (1) To buy lots of dolls that could be dressed in miniature (2) Invite some local fashion design students to help (3) Creating a utility belt may be a design project that would allow children to work individually.

Accompanying these little design and make projects children could provide instruction manuals for the products that are created, such as the functions of the belt or the unique features of their cape.

Of course the stores have real products and their sale raises money for the 826 tutoring programmes and running costs. Each store has a different style as explained on the 826 National web page:

San Francisco’s pirate supply store sells glass eyes and one-of-a-kind peglegs, 826NYC’s Superhero Supply Company offers custom-fit capes, Seattle’s Greenwood Space Travel Supply Company sells all your space commuting appurtenances, 826michigan’s Liberty Street Robot Supply & Repair Shop specializes in must-have mechanical conveniences, while 826LA features a time travel store, there’s a secret agent supply store in Chicago, and the Cryptozoology shop in Boston is now open!

Spend any amount of time browsing the products available in the online store and you are bound to be inspired.

It is unfortunate I never got to put some of the ideas I have outlined into action, but I hope that sharing them here may give you the opportunity.

Pic: Jeffrey O. Gustafson

Video of my Voicethread Presentation

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During BETT 2010 we, the teachers, tookover commercial stands to talk about free tools for the classroom. Here is rare footage of me in the wild (!) presenting about “Why I think every primary classroom should be using Voicethread.”

Here is the Interesting Ways doc for Voicethread. A big thankyou to everyone at BrainPOP UK for letting me takeover their stand and for sharing the video footage.

Spiderman Digital Comic – Exploring the Front Cover

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Today we began reading Spiderman #1 which is the main text for our Superheroes unit. It is a free digital comic from the Marvel Kids site. I have chosen it because it covers the process of change for Peter Parker’s character and the development into a superhero. Some of the other free comics deal with the heroes in well established storylines. The origins of the superhero outlined in this first issue allow us more learning opportunities, and of course more opportunity to explore the storytelling.

The comic opens in the Marvel Digital Comics Reader (Java) which is a lovely way to view this sort of text. It gives you a variety of different options for viewing. We found the SMART PANELS option was the best to zoom into the details, parts of speech and narration.

Spiderman front cover notes

The first thing we did was to spend time looking at the front cover (see image above) so much is going on. I told the children to take everything they knew about Spiderman, gather it all up and put it in a box in their minds. And then to push that box away. I wanted them to focus on what we can find out from the front cover about Spiderman. We talked about the striking imagery and how it showed movement. We delved further into the background and unpicked the details too. You can see the notes we made together on the screenshot above.

It was a good challenge for the children to try and explain what they can learn from the image, back it up with reference to the “text” without referring to something they already knew. Someone said Spiderman can shoot the web/rope out from his hands. We discussed this carefully as I contested there was no evidence in the image – we did all still have a go at doing Spidey fingers and shouting “Go Web!”

Blue Kryptonite and our Superhero Display

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Angie is the teaching assistant who works with us in Year 5 – she is a star! Together we came up with the idea to do a skyscraper city scene for the backing of our Superheroes display. So far this long board has been a giant underwater scene and then a running track.

Today we re-introduced (after a little snow break) our Superheroes topic. The classes had some time working with the Head of Drama from the local secondary school, who came and did a short PSHE/Drama session with them. We spent some time learning about Superman, surely the ultimate superhero. I found out something that I didn’t know – there are lots of different types of Kryptonite, and they all have different effects on Superman.

“His only weakness is a radioactive rock from his home planet, called “kryptonite.” It makes him sick and weak. His enemies use it to hurt him. Blue Kryptonite makes people able to control him using hypnosis, green slowly kills him, black makes him evil, and red has many different effects on him (each piece of red kyrptonite affects him differently). There is also gold, white, and jewel kryptonite.”

You learn something everyday, and it is great that the children told me all about this – I love learning with them.

Anyway who do you think is the ultimate superhero?

(The text was taken from Simple Wikipedia which is a great alternative for kids.)

Teaching Handwriting using an Interactive Whiteboard

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We still practice handwriting at school with the children. Since having SMARTBoards I have been using the software to transform the way we teach it and the way we support the children.

I don’t think that handwriting is that important, what is written is more important to me – however the practice does encourage some structure, which can improve legibility.

Instead of just using the board to model the different joins (replace) I use the SMART Recorder to make a little movie of the joins as I model them and play them back, on a loop (tranform). Most IWB software (if any good!) has some sort of video screen capture tool. This allows me to step away from the board and go and support he children as they are working. As the class work they can easily look up and see the modelled join/word playing back on the board.

Before I explain how to do that, here is my routine for teaching any handwriting session. When we begin I remind the children about the 5 Ps.

  • Position - I encourage them to think about the position they are in and where there book should be.
  • Place - are they cramped or squashed? Make sure they have enough room on their table.
  • Pen - I talk about the tripod grip, to watch out for the power grip where the wrist and lower arm is too tense and encourage the precision grip with a freely moving wrist etc.
  • Posture - Can you feel the back of the chair in the lower back. Don’t be too upright and tense, be comfortable and relaxed.
  • Peace - We all need some to do our best.

When talking about the actual joins or words I ask the children to trace them on a giant scale in the air with their fingers, talking about the movements as we complete them. I then ask them to do the same join on the palm of their hand. We repeat the join on our wrists where it is all tickly and then a final time on the back of someone sat next to them. This helps to feel the shape of the letters.

Megan’s Present / Hand by Aeioux
Attribution-NonCommercial License

Before the children go on to practice in their handwriting books, I complete a modelled example using the video recorder. Here is how you do it:

  1. Open you handwriting page. We created a template on a blank page with the guidelines that suited our scheme.
  2. Open your video screen capture application – we use SMART Recorder.
  3. Select just the small area that you are going to be writing in – not the whole screen or page.
  4. I find it really useful to have the join/word already written with it’s transparency turned down. So that it is just visible, allowing you to trace over the top. If you are doing a simple 2 or 3 letter join model it more than once.
  5. Hit record and complete the modelling of the join or word.
  6. Hit stop and save your capture using the join or word as the file name.
  7. Playback your movie and set it to loop. Move away from the front and sit with children as they are working. With different movies open in different small windows you can have multiple joins so that children can work at their own pace through the work.

This is a good example of how technology can transform what we have been doing for decades. It breathes life into a common task, providing the teacher the opportunity to support the children at the point of writing. If all we do is write them up on the IWB we are just replacing old ways, we may as well do it on a dry-wipe board, or even just a blackboard or find a cave wall and some berries. The video playback is there if the children need it – they don’t need to remember what was done, they can just watch it, that has transformed the way they learn the joins and the behaviours that support that learning.

Within my handwriting sessions there is that important balance between technology and other approaches, a blended take on it all. Tickling the words on our wrists or a partners back is just as important.

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