Literacy

Plot Device

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This film was shared with me by Tony Richards on Google+ this morning before my first coffee. A great piece of work directed and co-written by Seth Worley for Red Giant Software.

I am always fascinated by good storytelling and narrative ingredients. Plot Device is both about storytelling and a great example of doing it well. In the classroom it would prove an interesting illustration of a range of genres and narrative structures as well as a story that could be unpicked. Lots to explore. I hope you enjoy it too – not much normally gets between me and the first coffee of the day!

Plot Device from Red Giant on Vimeo.

An Interview with Luiz Stockler – filmmaker, storyteller, people-watcher

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Luiz Lafayette Stockler is a 25 year old award winning director and animator. I recently discovered his film Vovô on Vimeo and was immediately struck by the powerful simplicity and the beautiful way the story is told. I have been lucky enough to find some incredible work on Vimeo just recently and Luiz’s film is most certainly in that category.

 

Vovô from Luiz Lafayette Stockler on Vimeo.

 

I managed to track Luiz down and he was kind enough to answer some questions about his film and his own process of storytelling.

You say in your Twitter profile “North Wales via Brazil” – what’s the story there?

I was born in Rio de Janeiro, Brazil to a Brazilian father and a Welsh mother. My parents worked with horses and were professional showjumpers who competed at the highest level in south america. when I was 8 years old, my dad was offered a job in Scotland riding horses for a breeder, so we moved to the UK. my dad has since moved back to Brazil.

You are soon to start at the London Royal College of Art – what are you studying?

I am starting an MA in Animation at the Royal college of Art, it’s quite a prestigious school in the animation world so I was ecstatic when I was offered a place!

Your short animated film Vovô has caused quite a stir online, what do you enjoy most about your film?

I think the one thing I enjoy the most out of my film is that its such a personal story to me, but also something that I think anyone can relate to in some way or another. It has a universal theme that makes it accessible to people.

Vovô has quite a sad story to it, is the film something you have created out of personal experiences or is it purely fiction?

Vovô is the Portuguese word for grandfather. The film is about my childhood memories of my grandfather when I was growing up in Brazil, up until his untimely death during a summer holiday I spent back in Rio visiting my family when I was 19, I havent been back since.

What sort of time did you dedicate to the Vovô project? Does it take a long time to create something so polished?

It was made during my third year of my BA in Animation at the University of Wales, Newport. I had the whole year to work on it from development/pre-production/production/post production to finished piece….the script was the easiest part, I wrote that in a day and took about 5 drafts to get it right, I got a lot of help and feedback from my friends which helped a lot…the rest of the film went through so many changes and doubt/insecurities that I almost gave up and considered re-doing the year. Because of its personal element it became very easy to lose sight of what I was trying to make. I think as a filmmaker/artist/musician/writer etc… you can become quite precious of your idea and it can be quite hard to stand back and take a look at it with an open mind. I had all these storyboards and animatics that no longer made sense to me so in the end I had to become a bit ruthless with it all and I just let spontaneity take over and freestyled most of the film, animating it in six weeks. I wouldn’t recommend that to anyone though as I hardly slept, but I thrived on the pressure. luckily most of the scenes were fairly simple to animate, otherwise it would have taken a lot longer. the best thing I had throughout though was my friends/fellow classmates, without their help I dont think I would have made this film the way I did. I cant thank them enough.

 

Showreel 2010 from Luiz Lafayette Stockler on Vimeo.

 

How do you maintain a sense of self and originality when there is so much incredible work published these days? What advice would you give a young artist or illustrator about finding their own way of doing things?

I think I’ve always struggled with drawing things ‘well’, I’m terrible at proportion/perspective etc…so the only way I could put to paper what is in my mind is to simplify it by about a 100 times, I always say that my work is a bad version of what I saw in my head. I think the most important/useful advice I ever got given was to play to your strengths, I kept things simple because thats the way I’ve always worked in my sketchbooks. You can get excited by a new technique or visual style or even a software plug-in that you end up getting carried away with it and lose perspective on what you’re trying to do, you also lose that raw connection you had with your work in the first place. Keep it simple, play to your strengths and do what excites you.

Do you consciously strike a balance between the depth of the story and the way it is told?

When I was coming up with visuals, I was told by a friend that if something is being said then we dont need to see it everytime, it’s like we’re being told something twice. With this in mind, I tried to think less literal and more metaphorically and symbolically about what was on screen, I thought about how the viewer could learn so much more about the characters without being told, but rather shown. I also think it has something to do with songwriting, I’ve written songs since i was young so I’ve always been used to telling stories in a stripped down/brief way. The script of the film ended up being a progression of my songwriting.

Your film is centred around the relationships of two people and very focused on particular idiosyncrasies, what do you like about people-watching?

I’ve always been interested in people watching. I like how you can tell a lot about a person before you’ve even had a conversation with them. The way they walk, the way they dress, cross their legs, hold a cigarette etc… we show a lot of who we are using just body language and I think I have been good at mimicking that in people from a young age, I was always doing impressions of friends and family, copying their gestures and behavioural nuances – something which has definitely helped me when it comes to animating characters.

Do you have any projects you are currently working on that you can share?

I’m currently just saving money for my big move to London and the Royal College of Art. apart from that, I’m constantly doing illustrations and working on ideas for films, which you can see on my blog at http://luizstockler.wordpress.com

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Many thanks to Luiz for sharing his thoughts and taking the time to answer some questions. Working with children in school around the issues in Luiz’s film can be difficult and as teachers we are often a central part of the support that can be provided to children who are dealing with personal loss. Perhaps this film could be used to help an open discussion around these sensitive and difficult times.

Of course at the heart of the film is the story and such a narrative could be explored more widely in terms of the way it is told, un-picking the brevity of narration and how it is paired with visual metaphor and symbols as Luiz explained.

I hope you enjoyed the film and hearing from Luiz himself, perhaps you will see a place for it in your own curriculum or to support the work you are doing with children. I am sure you will join me in wishing Luiz every success when he joins the Royal College this September and in his future work.

Are Online Behaviours Affecting Reading Skills?

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In my final weeks of school our class had our usual Tuesday afternoon guided reading session, where we get the opportunity to work on some reading text with a small group of children. One particular comment from a pupil has stuck in my mind, so I thought I would share some of my reflections with you.

Whilst exploring a text we came across a particular word that became the focus of our attention. Although the group had no problem reading and pronouncing it they didn’t know what it meant. I aimed to set the children off exploring the definition from the information we could acquire from the sentence and the text overall, we may have even cracked open a dictionary or two…

“We could just Google it!”

As you can see the comment from one of the group stuck in my mind for a number of reasons. Firstly it indicated to me how much web searching had become part of how these 9 and 10 years olds process the information they see in the world. The concept of search applies to so much around them and the need for a better understanding of how we instruct and guide our classes to filter what they find, has never been so more acute.

Equally the appropriateness of using different tools is a key part of navigating the learning landscape, indeed one of the most difficult aspects is helping young learners make better decisions regarding the tools they use.

Of course I was not surprised by this comment after all many of the children have Kindles and the latest model has a full Oxford English Dictionary available on it. The children simply have to move a cursor and the definition will be displayed on the screen at the bottom. I remember writing lists of words I didn’t know from texts during my English degree and finding out later.

The immediacy of information and indeed the expectation for it is all to clear. We expect results, definitions and answers faster nowadays and so do the children in our classes. The question is what are we doing about it?



Within the browser too you have access to dictionary tools to help when you are reading online. I use Google Chrome’s extension which allows you to double-click a word and a little pop-up dictionary definition appears. I use this loads – no more written lists of vocabulary for me!

Another reason the comment struck a chord with me is how the decision to Google a word comes ahead of trying to establsish meaning from reading skills, such as reading into the context and exploring the sentence further. Of course, this one comment should not be over played. However in my opinion it does hint at the ways children are thinking about processing the information, from reading material or otherwise, we work with everyday.

I am of course an advocate for the appropriate use of technology, where it can transform learning and add value – and in this instance it is not a “this skill replaces that skill” scenario but an opportunity to reflect on the ways we can enhance what we do and take advantage of ideas children have.

To answer my own question in the title, yes they are in a broadly positive way, but especially children in primary school or elementary need support and guidance to help them filter the information they search. They need contextualised examples and ongoing references to the ways we search and use information tools – I think this is a pivotal aspect of teaching and can only become more acute in the coming years.

 

Paraphernalia – a short animation to use in Literacy

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The other night I had a little whirlwind session exploring content on Vimeo and discovered some fantastic pieces of work, including this lovely short animation called Paraphernalia. It is a 3rd year film made by Sabrina Cotungo who is studying at The California Institute of the Arts – however her film was made at Gobelins, l’école de l’image in Paris.

Sabrina Cotungo describes her film as

The story of an anemic little recluse of a girl who makes a friend at the expense of her ceiling.

 

Paraphernalia from Sabrina Cotugno on Vimeo.

What strikes me about the little story is the openings it presents for a class to explore in terms of their narrative literacy unit, the questions that could be asked about the plot and the characters.

  • Why is she all alone?
  • Where are her family?
  • Where was the gentleman heading?
  • Why did he crash?
  • Why had he invented such a wonderful flying machine?

Also a class could spend time working on the dialogue that takes place between our characters. It is conveniently silent and we might encourage our pupils to explain the emotions we see on their faces, to play these scenes out in some drama and then to perhaps develop the written dialogue.

What do you like about the film and how do you see it being used with your classes?

Oil’d – How Could Our Pupils Make an Animation Like This?

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I’m fascinated by the representation of data using infographics. I like their bold visual approach and how the style and composition signals the content it is communicating.

Chris Harmon a designer and animator from the Greater New York City area created this beautiful and thought provoking animation called Oil’d. It explores how dependent we are to oil and how much was lost into the ocean from the Deepwater Horizon oil disaster.

Oil’d from Chris Harmon on Vimeo.

Just from the presentation of information about the oil spill we could go in many different directions with our classes.

  • Exploring he sources of information used
  • Verifying the accuracy of the data included in the film

However if we unpick the animation layer by layer we get a much better idea of the great skill with which Chris used to complete it. Wouldn’t it be great to have Chris in front of a class of students explaining how he went about creating the animation, the stages of planning and execution.

For me there are many elements and skills that would on their own make excellent projects for children to explore and be engaged in:

Data
The maths involved in comparing and cross referencing the data, and what so many good infographic do the data-metaphor, juxtaposing information against something we find easy to refer to. For example the number of plastic bottles inside the Empire State Building, which we know is big!

Authentic information and research
Finding accurate information and data would be another important skill that would challenge a student to create something equally authentic and meaningful. We have the tools with which to find huge amounts of information and data but we need to know how to filter it. I don’t think teaching children how to search is enough, that is the first step, it is how we then process that information that needs time to be demonstrated and improved.

Persuasion
With my literacy hat on this animation pushes us to consider the impact of oil on our lives and has a strong persuasive message. The art of persuasive writing and in this case the careful scripting would be great to develop in this sort of medium, perhaps about a local issue.

Animation
The artwork and animation are obviously professional, but there is much to explore about the use of colour to convey meaning and an overall message. The colour schemes remind me of the Breathing Earth which also depicts an environmental message. It would be good for children to explore symbols and how we might convey a message in a visual way – a comparison type task would fit well here.

I think this animation is a great example of the sort of cross-curricular, multi-skill outcome that should be challenging our pupils in our schools. Making an animated infographic film about a local issue would cover so much. Furthermore if you had the opportunity to involve expertise, like Chris Harmon’s, it would provide that spark that would spur such a project onwards even further.

Seeing Ripples

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When you share your classroom experiences and ideas, one thing you hope for is that they are transferable to other classrooms. This week I was delighted to see three examples of my ideas being successfully applied elsewhere.

The first is from Peter Richardson a primary school teacher in Preston who took my idea for using Voicethread for peer assessment of writing and used it for work in their Egyptian work. Here is the Voicethread he shared.

Kevin McLaughlin is a Year 4 teacher in Leicester and after reading my blog post about using Twitter and Google Forms for a data handling lesson, has applied the same ideas himself. His class compared music tastes from Kevin’s Twitter network (via a Google Form) with their own. I am pleased it worked well for his Year 4 class too, as Kevin explains,

The data that we now have will be used next week in further Maths lessons and the children added that they will continue to use the survey over the weekend at home and with friends. Real data from real people. This is what makes this type of investigation so very useful and brings an added dimension to data collection activities.

The final ripple I caused comes from Jan Webb another Year 4 teacher in Cheshire. Jan took up the challenge of using my Maths Maps idea with her class and developed a series of activities in a Google Map of Berlin for her class to use.

View Berlin in a larger map

Jan explains on her blog how they enjoyed using the resource in her class.

…a great deal of discussion arose from finding the shapes in some of the buildings and finding how many rectangles we could see in a building!  We all really enjoyed these tasks and they not only let us discuss aspects of shape, but also provoked discussions about aspects of life in Germany.

These ripples are very encouraging as you are able to clearly see the effect sharing your own practice has on other teachers and subsequently other children’s learning.

If you have always thought about starting a blog but never got round to it, why not give it a go. The more pebbles in the pond causing ripples the better.

Superhero Ideas That Didn’t Make It Through the Revolving Doors

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Earlier this year we completed a very successful Superheroes topic in school. However many of the initial ideas I had never made it out of the revolving doors, so to speak.

One of the biggest influences for ideas and content was discovering the Brooklyn Superhero Supply Company and the spin off thoughts that occurred. The Superhero Supply store is a real shop in Brooklyn which sells all sorts of hero paraphernalia, from capes to muscles in a tin. Behind a swinging bookcase is of course a secret lair, a children’s writing and tutoring workshop.

The Superhero Supply Company is part of 826 National a non-profit organisation in the US to help support school children with homework and writing. Established by Dave Eggers it now has “stores” across the country with a simple aim:

Our goal is to assist students ages six to eighteen with their writing skills, and to help teachers get their classes excited about writing.

Of course what struck me about the concept and especially the Superhero online store, was the level of meta fiction that could be explored. This topic can easily focus on the comic book fiction but the mundaneness of shopping for a suitable replacement cape struck me as such a great idea to work with.

  • Turn your classroom into a store for Superheroes.
  • Try and find a mannequin that you could use to show a superhero outfit.
  • Use the Pixar film The Incredibles.
  • What happens in the everyday life of a Superhero?
  • In drama explore everyday routines with a superhero costume on – queuing for a bus, picking up some milk from the shop.

Brooklyn Superhero Supply Co The online store provided me with a rich vein of ideas for writing beyond children’s own fictional heroes.

The persuasive language used to sell the special products on offer would be a great text to unpick. For example on sale at the online store is Item No. 2503 - STANDARD 58″ SUPERHERO CAPE.

For over two centuries, the BSSCo. Standard 58″ Superhero Cape has been the industry standard in fly-wear for professional heroes. Every cape we ship meets all Superhero Alliance and FAA regulation requirements, and is specially designed for maximum flight control and resistance to air burn.

If you’re a working, flying superhero, the Standard 58″ Superhero Cape is a must-have. Because let’s face it. Without one, you’re just some guy who looks like he’s falling.

Available in a variety of colors.

The act of exploring the sophisticated persuasive devices used in the short product descriptions would be an excellent class activity.

  • Develop your own online Superhero Supply store.
  • Invite children to bring in toys and gadgets that could be rebranded as hero gear.
  • Model how to write a similarly persuasive piece for their own gadgets.
  • Children could role play the real life store or an order by telephone- Superhero and sales assistant, “I’m looking for something a little darker…”
  • Develop a customer newsletter from the store or a flyer.
  • What other things might we find in tins? Muscles, gravity – create your own Hero Basics range
  • Script a radio or TV commercial as a Superhero endorses the store.

Further to these ideas we looked at how the children could design and make their own superhero costumes. This could be done so that they could wear them and then use them in subsequent drama and fictional work.

On reflection we did think that full size costumes for each child might end up quite a complex operation, so considered three alternatives. (1) To buy lots of dolls that could be dressed in miniature (2) Invite some local fashion design students to help (3) Creating a utility belt may be a design project that would allow children to work individually.

Accompanying these little design and make projects children could provide instruction manuals for the products that are created, such as the functions of the belt or the unique features of their cape.

Of course the stores have real products and their sale raises money for the 826 tutoring programmes and running costs. Each store has a different style as explained on the 826 National web page:

San Francisco’s pirate supply store sells glass eyes and one-of-a-kind peglegs, 826NYC’s Superhero Supply Company offers custom-fit capes, Seattle’s Greenwood Space Travel Supply Company sells all your space commuting appurtenances, 826michigan’s Liberty Street Robot Supply & Repair Shop specializes in must-have mechanical conveniences, while 826LA features a time travel store, there’s a secret agent supply store in Chicago, and the Cryptozoology shop in Boston is now open!

Spend any amount of time browsing the products available in the online store and you are bound to be inspired.

It is unfortunate I never got to put some of the ideas I have outlined into action, but I hope that sharing them here may give you the opportunity.

Pic: Jeffrey O. Gustafson

3 Educational Web Applications I’d Like to Make

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I am sure you have had moments when you discover your inner inventor too. Here are three web based applications I have much pondered and if I had more time, money, expertise would probably have made by now.

The old Story – A2 by h.koppdelaney
Attribution-NoDerivs License

StoryBook Earth

Inspired by my work on storytelling using Google Earth and WeTellStories, StoryBook Earth would be a place to share, develop and create geotagged stories. When we write or tell stories we are picturing a location, a setting. In combining the imagery of Google Earth, the ability to add text, audio and even further media to specific places, you have a powerful storytelling form.

StoryBook Earth would develop the idea of “story” and “narrative” and to connect students in different parts of the world. It would also be an attempt to explore how the local becomes the global: to provide an appreciation of students in other parts of the world. It would provide an alternative way of “seeing” and “reading” the world, and possibly introduce students to young people who have experienced:

  • Very different lives and personal circumstances
  • Conflict
  • Natural hazards
  • Different climates and natural environments
  • Alternative cultures and traditions

I remember watching a 9 year old in my class tell a story to a friend whilst looking at his street in Google Earth, there is something very immediate about such narratives – similar in part to historical walks that explain a story in the places they occurred.

In partnership with the Geographical Association, StoryBook Earth was entered into the Google GeoChallenge grant application process but unfortunately was rejected.

(Thanks to Alan Parkinson at the GA for all his help developing this idea.)

On the platform, reading by moriza
Attribution License

My Reading Diary

In our school the children use little paper reading diaries, similar I am sure to many other primary schools. In it they record the books they are reading, their progress and there is a place for pupils, teachers and parents to make written comments too

So for this one think: Shelfari for kids. A learner centred online tool that would allow children to do all they could with a paper diary – without the worry of losing it! But it would also have a database behind it that would allow children to tap into further reading recommendations. Children could read reviews from other users and discover new genres or books they may not normally.

I would imagine that My Reading Diary would have the potential to integrate with library management systems, so children could read a review or see a recommendation and immediately know if it is in school – and if it is available to read or someone else has it out already!

A further unique feature of My Reading Diary would be as a reading portfolio for children as they progress through school. With simple book profiling it would allow teachers and parents to see the types of books any child is reading and make future suggestions.

I think there is huge potential in this to not only provide a manageable online system to track reading progress throughout school but to also engage children with reading and a social, smart, personalised reading diary.

This idea was sadly rejected by Channel 4′s 4iP which is an innovation fund to stimulate public service digital media (beyond television) across the UK.

Firespeed by kwerfeldein
Attribution-NonCommercial-NoDerivs License

Connect Collaborate Content

I don’t know what I would call this application but I think it could be very important in the way teachers work in the next 5-10 years.

I would propose a single online place for teachers to find curriculum resources and ideas, connect with colleagues teaching the same topics and a platform for collaboration.

Ian Yorston quite rightly said that this place is the web. It perhaps is a matter of pulling streams of different information together, but I just don’t think there has been a purpose built online space that does all of these.

I am doing some work on the Victorians next half term – with my proposed web idea I want to be able to do a single search for “Victorians” and see a multitude of things that we regularly look for and seek out in further web queries elsewhere.

  1. Resources - planning, images, video, notebook files, PPTs, worksheets, that sort of thing.
  2. Ideas - the resources found on the web do not often come with the narrative behind it, I want to be able to read blog posts and summaries of experiences from those who have taught my topic already. My search results would draw in comments from Twitter and other platforms too.
  3. Connections - so many schools, teachers and pupils are working on the same topics, I want to know who is actively doing them too.
  4. Collaborate - once I have discovered that XYZ are doing the same topic, I want to have the means to collaborate and work with them.

We have a myriad of educational blogs to cover the ideas, places like Gareth Pitchford’s Primary Resources, Classroom 2.0 that does much to connect teachers and then there is simple tools like Teachers Connecting from Ben Hazzard that is a platform to connect and work together.

But we need one place to do all of this from a single search query, that would be the unique feature. You enter a single topic key word and your search results provide everything.

Another aspect that is important is what happens as we share our current classroom work. From blogging about my topics at school this year, for the first time my network has brought resources and ideas to me. Not as a result of me asking, but because they “read a post a few weeks back that I was doing sealife”. If we are all more aware of what topics colleagues are doing in their classes our sharing of ideas and resources can be more purposeful.

It will be intriguing to see what develops with mycurriculum.com from the QCDA and whether it will be able to build the critical mass of users to make it truly worthwhile – and also if it is smart enough to do some of the things I have outlined.

It has been an interesting process getting these ideas down in a post – let me know what you think of them and if they would have value in the educational world we work in. The ideas are there, feel free to go ahead and make them, just let me know you have so I can use them.

Using Voicethread for Writing Ideas and for Peer Marking

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In the past week or so our literacy work has focused on a short sequence from the comic Spiderman #1. Our Superheroes topic is going well and in this post I explain how we have used Voicethread as a creation tool, a writing scaffold and as a way to do peer marking.

We began with the sequence in the comic where Peter is attending a science fair at a local school and is bitten by spider that has been zapped by one of the radiation machines on show. I wanted the short 5 panel sequence to be the focus of an extended narrative. I liked the tight focus on a few moments and the action and comic imagery would really help us to write some interesting narrative.

To begin with we made some notes about the short sequence as a whole class, mainly key words, things that just jumped out from the images and from the facial expressions of Peter.

Notes about Peter Parker being bitten

The next step was to import the five panels from the comic you can see in the above image into Voicethread. I just used a screen capture tool and created some separate image files for each. The Voicethread was to be a collection of first ideas. At this early stage of the writing process I think Voicethread plays it’s hand superbly.

The children have the opportunity to say their ideas aloud. To articulate, listen back, correct and re-articulate very easily. All of the children in the year group worked on writing and recording ideas for the Bitten! sequence and as you know they are privy to all of the comments from their peers in real time. We used the vocabulary above as a stimulus throughout this early task.

Voicethread Ideas 2

After sharing literally hundreds of narrative ideas for the sequence, the children were put with a writing partner. Often we focus on writing in solitude but I think the support and insight children can get from working together is hugely rewarding. They get to see how someone else might approach the same piece of writing.

I modelled the up-levelling or improvement of some simple starter sentences for each of the panels. We worked together as a class to extend and improve on them using the language already collected. The children used Google Docs for their work and I encouraged children to also have open the Voicethread of ideas that we had created. The 5 panels acted as 5 simple paragraph changes. In this step the children are using Voicethread as a source of ideas and as a writing scaffold. They listened and read back the comments others had left and I think found these really useful in kick-starting their work.

Up levelling

As we were working in Google Docs I dipped into their work as they were busy writing. I have written before about how this is less obtrusive than looking over their shoulder or taking their books off of them. I added a header to the Google Doc and then used CTRL+M to add a named and dated comment. I would back this up by a quick chat with the pair if needed to ensure they would act on my advice and feedback.

Marking Bitten

The children had of course shared their Document with me and their writing partner. In my Docs home screen I used the star label to show which Docs I had marked and which I hadn’t. You can read some more ideas for marking with Google Docs in this blog post.

As part of the writing process I explained we would be publishing some to the class blog. I wanted the feedback from the blog to be part of the improvement process for the children. I think that if you plan to publish examples of work in this way, and the kids know this before they begin, you are not just bolting it on afterwards. The children know that the blog readership will be their audience.

We were able to publish 80 percent of the work from the class, those that didn’t were just unfinished. The comments that we received were fantastic and greatly encouraging for the children involved. We would revisit these later in the process.

Blog comments

Although the children have a finished piece of work at this point we are only part of the way through the writing process I had planned and this is where we turned back to Voicethread again. (We kept a printed copy of this first draft.) I have often said that the use of PDFs in Voicethread is overlooked. Clearly the use of images and video is very engaging, but adding PDFs is really useful functionality.

I did two things before exporting the children’s work from Google Docs. Firstly I added their names next to the title of the work. I knew from who shared it with me who the owner was, but as a plain PDF it would be missing that. The second thing was to increase the size of the text so that it was clearly visible in Voicethread.

Voicethread allows you to zoom in to text or images, but when you need to use the pen highlighter it zooms out. With a full page PDF the writing can sometimes be too small to see. Ensuring the text size is set as high as possible is really important if you want to take advantage of the pen tool.

Voicethread pen

Once this was done I exported all of the Docs as PDFs (no need to worry about the file names as you added their names to the text already) and imported these into a new Voicethread. I noticed that some of the pages were jumbled, in other words if a piece of work was over 2 pages these pages were split. Naturally you want them next to each in Voicethread - watch out for that, however it is easy to move pages about from the upload screen.

Saying that, it is hard to see from the thumbnails which belong together – maybe that is something for Voicethread to work on. Either a magnify function on the upload page for each thumbnail or better assurance PDFs will stay in the correct order.

Once the Voicethread was ready to go I asked each pair to record an audio comment of one of them reading out their own work. This is a simple step you can take to allow all of the children in the class to access the different pieces of writing. If they struggled reading it, there was an audio version! We talked to the children about adding comments and feedback and I stuck to a simple 2 stars (things they liked) and 1 wish (something to improve) which we have used before. I encouraged them to use the pen tool to highlight words, phrases, sentences and paragraphs that they were referring too and this proved very successful.

Improve2

Interestingly the process of reading your own work out aloud and recording it made the children realise where they could improve their own work.

The final step was to revisit their original writing and complete the editing process. It is sometimes hard to find time to review work in light of comments but is essential in helping children improve. Those with blog comments on their work were encouraged to look at what was written. Everyone had numerous comments on their own work as part of the Voicethread - they went back to their Google Doc and made alterations and improvements based upon the feedback from me, their peers and the wider audience on the blog.

I went to every single pair and asked them to talk through some of the alterations they had made and guided them to focus on anything they had overlooked.

In short the sequence looked like this:

  1. Reading the focus sequence
  2. Gathering initial vocabulary and feedback
  3. Voicethread of sequence – children add ideas
  4. Writing begins – using above resources
  5. Writing is published to the class blog and uploaded to Voicethread
  6. Voicethread of work – children add feedback
  7. Edit in light of teacher, blog and peer comments

This was over the course of about a week and half to two weeks. This sort of timescale really allows you the space to establish some quality and immerse you and the class in the piece of work. After all, we were only writing about a very short moment in time.

It may have only been a few fleeting, painful moments for Peter when he was bitten, but we found this extended writing and review process really successful.

Video of my Voicethread Presentation

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During BETT 2010 we, the teachers, tookover commercial stands to talk about free tools for the classroom. Here is rare footage of me in the wild (!) presenting about “Why I think every primary classroom should be using Voicethread.”

Here is the Interesting Ways doc for Voicethread. A big thankyou to everyone at BrainPOP UK for letting me takeover their stand and for sharing the video footage.

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